Cyberpunk Cityscape & Neon Scene Builder

Create an immersive cyberpunk cityscape depicting [SCENE FOCUS: rain-soaked street-level alleyway / rooftop view across megacity skyline / underground market district / elevated highway through corporate towers / waterfront port district with cargo drones / vertical slum built into megastructure wall].

WORLD-BUILDING PARAMETERS:
- Cyberpunk subtype: [CLASSIC NEON NOIR — Blade Runner aesthetic / HIGH-TECH LOW-LIFE — gritty street level / CORPORATE CHROME — sleek authoritarian / POST-CYBERPUNK — slightly more hopeful, lived-in / ASIAN FUTURISM — Eastern-influenced megacity / SOLARPUNK-CYBER HYBRID — green tech fighting corporate decay]
- Time period feeling: [NEAR FUTURE 2040s — recognizable but extrapolated / MID FUTURE 2080s — transformed but grounded / FAR FUTURE 2200s — barely recognizable, fully vertical city]
- Weather and atmosphere: [PERPETUAL RAIN with puddle reflections / HEAVY SMOG filtering light into murky layers / CLEAR NIGHT revealing the full scale of the city / NEON FOG — low-hanging mist catching and scattering colored light / SNOW falling through holographic displays]

ARCHITECTURAL DENSITY:
Build the environment in vertical layers. Ground level: narrow streets barely seeing natural light, choked with cabling, pipes, makeshift structures, and vendor stalls. Mid-level: walkways, bridges between buildings, transit tubes, and the glowing band of commercial signage. Upper level: corporate towers with clean glass facades rising above the visual noise, connected by sky-bridges. Highest level: partially obscured by clouds or haze, suggesting even taller structures beyond what is visible. Every surface should be covered with [SIGNAGE: holographic floating advertisements / neon tube signs in multiple languages mixing Japanese, Chinese, Korean, Hindi, English, and fictional scripts / LED screens showing news feeds and corporate propaganda / graffiti and street art competing with commercial messaging].

NEON AND LIGHT DESIGN:
The lighting is the soul of cyberpunk. Layer multiple colored light sources that interact and compete:
- Primary neon palette: [HOT PINK AND ELECTRIC BLUE / AMBER AND TEAL / RED AND PURPLE / GREEN AND MAGENTA / ORANGE AND CYAN]
- Secondary practical lights: fluorescent tubes in shop interiors (cool white with green tint), vehicle headlights and tail lights creating streaks, screen glow from personal devices illuminating faces, welding sparks from street-level repair work
- Reflections are critical: every wet surface, puddle, glass window, and chrome element should reflect and multiply the neon sources. Puddle reflections should show slightly distorted versions of signs above. Car hoods and polished surfaces create stretched highlight reflections
- Volumetric light: neon signs should project colored atmospheric cones in the rain/fog. Light should scatter through steam venting from grates. God rays from powerful spotlights or search drones cutting through haze

STREET-LEVEL LIFE AND DETAIL:
Populate the scene with evidence of human activity without necessarily showing faces in detail:
- [FOOD VENDORS with steam rising from cooking surfaces, menu holograms, queue barriers]
- [PARKED AND MOVING VEHICLES — mix of ground cars, hovering bikes, cargo drones, autonomous delivery bots]
- [INFRASTRUCTURE: exposed bundled cabling, leaking pipes with mineral deposits, jury-rigged power taps, makeshift rain shelters from salvaged materials]
- [TECHNOLOGY ARTIFACTS: public data terminals, biometric scanners at doorways, drone charging stations, vending machines with holographic displays, AR graffiti visible as glitch artifacts]
- [PERSONAL TOUCHES: laundry hanging between buildings, potted plants struggling in artificial light, a cat sitting on a warm ventilation unit, religious shrine with LED candles tucked into an alcove]

CAMERA AND COMPOSITION:
Frame the shot using [PERSPECTIVE: dramatic one-point vanishing point down a narrow street pulling the eye deep into the scene / two-point perspective at a street corner showing depth in two directions / extreme low angle from street level looking up through layers of walkways and signs / high angle from a rooftop looking down into the luminous canyon below / fish-eye distortion for an immersive surveillance-camera feel].

Include strong leading lines from architectural elements, light trails, and cable runs guiding the viewer through the layered depth of the scene. Place a focal anchor — [SINGLE FIGURE WITH UMBRELLA / DISTINCTIVE VEHICLE / UNIQUE SIGN OR STRUCTURE / LIGHT SOURCE] — at the golden ratio point.

RENDERING STYLE:
Aim for [QUALITY: photorealistic CGI render / digital matte painting / detailed concept art / stylized graphic novel / anime-influenced illustration]. Inspired by [REFERENCE: Syd Mead / Ash Thorp / Mike Pondsmith / Masamune Shirow / Blade Runner cinematography by Roger Deakins]. Balance between tight detail rendering in the focal area and atmospheric dissolution in the depth, creating natural depth of field.

--ar 21:9 --v 6.1 --style raw --s 800 --chaos 18